Post “Pat the Bunny”? He has been a visiting fellow at the Council on Foreign Relations and has taught at Princeton, where he received his B.A., in 1981, and at Columbia. But there is one dinner I would organize as soon as public health allows: I’m what you might call an “indoorsman.” I like a roof. Why feel guilty about reading of any kind? In a conventional sense, Dreiser’s prose is “badly written,” but the narrative power and ruthless characterizations in “Sister Carrie” and “Jennie Gerhardt” are, at least for me, undeniable. What kind of reader were you as a child? Remnick has edited many anthologies of New Yorker pieces, including “Life Stories,” “Wonderful Town,” “The New Gilded Age,” “Fierce Pajamas,” “Secret Ingredients,” and “Disquiet, Please!”. The writers who face the opposition and the oppression of the state, the writers who are deemed “enemies of the people,” the writers who brave censorship, detention, and prison and risk everything. I’m ashamed to admit it, but I just don’t understand science fiction. Those works, read alongside more obvious works in English — from Orwell to Baldwin to Jill Lepore’s “These Truths” — help keep alive the spirit of democratic values and the demands on us to realize them. Sports. Looking for something to watch? Our books at home are a half a mess, grouped in random constellations, but just as often scattered. As the editor of The New Yorker, you read all the time for work, across a huge range of subjects. While David Remnick’s book is the finest account of Muhammad Ali’s greatness, Normal Mailer’s accounts catch what it was like to see the big fights first-hand “The Red and the Black.” I’m pretty sure it was on the syllabus for a college course I once took. And yet I just can’t get through “Walden.” Please, tell no one. David Remnick was born on October 29, 1958 in Hackensack, New Jersey, USA. In 1988, he started a four-year tenure as a Washington Post Moscow correspondent, an experience that formed the basis of his 1993 book on the former Soviet Union, “Lenin’s Tomb: The Last Days of the Soviet Empire.” In 1994, “Lenin’s Tomb” received both the Pulitzer Prize for nonfiction and a George Polk Award for excellence in journalism. I finally got to “Hope Abandoned,” the sequel to Nadezhda Mandelstam’s “Hope Against Hope.” Oh, and Roger Angell’s “Late Innings.” I reread that as homage and celebration. America Ferreira/Ina Garten/David Remnick, Kenan Thompson/David Remnick/Steve Gorman, Tracy Morgan/David Remnick/Franklin Vanderbilt, Reese Witherspoon/David Remnick/Zach Danziger, Michael Fassbender/David Remnick/New Yorker Cartoons/Craig Finn, America's Great Divide: From Obama to Trump - Part 1, The Newspaperman: The Life and Times of Ben Bradlee, David Remnick on Journalism in the Trump Era and Why He Hires Obsessives, Predictions for 2011/Interview with George Clooney, Kings of the Ring: Four Legends of Heavyweight Boxing, Shadowboxing: The Journey of the African-American Fighter, Biography of the Millennium: 100 People - 1000 Years, What to Watch if You Miss the "Game of Thrones" Cast. How have your reading tastes changed over time? Why feel guilty about that? From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween.

But next up is Saidiya Hartman’s “Wayward Lives, Beautiful Experiments.” It’s moved into the on-deck circle. One particular Koufax biography, by Ed Linn, inspired my classic Hebrew school composition, “Sandy Koufax: Great Pitcher, Greater Jew.” I got an “aleph” on that paper.

Somehow, I suppose. Mexico - 08 oct 2020 - 12:34 UTC. David Remnick, Producer: We Are Witnesses.

He has written many pieces for the magazine, including reporting from Russia, the Middle East, and Europe, and Profiles of Barack Obama, Bill Clinton, Katharine Graham, Mike Tyson, Ralph Ellison, Philip Roth, and Benjamin Netanyahu. David Ritz’s biography of Aretha and his collaborations with Etta James and B.

Peter Guralnick’s Elvis bio and his magnificent “Sweet Soul Music.” Albert Murray’s collaboration with Count Basie, Quincy Troupe’s collaboration with Miles Davis. You’re organizing a literary dinner party. Credit... Jillian Tamaki. It was a good alarm. Then there is dinner. So much of what I read preparing for, during, and after my time in Moscow has stayed with me: Vaclav Havel and Joseph Brodsky’s essays, Eugenia Ginzburg and Nadezhda Mandelstam’s memoirs, Anna Akhmatova’s poetry and prose, the whole library of antitotalitarian, antiauthoritarian literature. When I first started at this job, one of my sons, who was very young at the time, remarked, “You don’t seem to read anything anymore with covers.” Meaning I was up to my hips in printed manuscripts, galleys and proofs. Lenin’s Tomb: The Last Days of the Soviet Empire, Resurrection: The Struggle for a New Russia. When I was very young? Perhaps, more shameful: In recent years, I’ve read a lot of books about the natural world. How Bob Dylan Turned David Remnick on to Serious Reading. And yet I prefer the early, funny stuff. I do read an awful lot about music and musicians. But twice a year, I go fishing with John McPhee, Ian Frazier and Mark Singer. Sort of. B. Remnick’s personal honors include Advertising Age’s Editor of the Year, in 2000 and 2016, and election to the American Academy of Arts and Letters, in 2016. Remnick has written six books: “Lenin’s Tomb,” “Resurrection: The Struggle for a New Russia,” “King of the World” (a biography of Muhammad Ali), “The Bridge” (a biography of Barack Obama), and “The Devil Problem” and “Reporting,” which are collections of some of his pieces from the magazine. Does that make it harder for you to read for pure pleasure? David Remnick, the editor of ‘The New Yorker.’ Hindustan Times / Camila Osorio. King of the World book. Eliot and I’d discover ‘The Waste Land.’”, It’s kind of a pileup under the night stand, to be precise. (Catch and release for the fish.

A Palestinian community leader risks his life to run for a seat on Jerusalem’s city council. If I remember we have them. Read 293 reviews from the world's largest community for r…

The New Testament. Are there any classic novels that you only recently read for the first time? What pushed me toward more serious reading was, strangely, my early love of rock ’n’ roll — specifically Bob Dylan. It is, endlessly, my pleasure. I am not sure I would derive the same level of inspiration now. I’ve promised myself “Little Dorrit” this year and some other unopened necessaries. Jay-Z’s “Decoded.” Dylan’s “Chronicles.” Angela Davis on Ma Rainey, Bessie Smith and Billie Holiday. I doubt that very many American readers know Venedikt Erofeev’s “Moskva-Petushki,” usually known as “Moscow to the End of the Line.” When I was living in Moscow as a newspaper reporter in the Gorbachev-Sakharov-Yeltsin years, all my Russian friends thought of that novel as a touchstone, a phantasmagorical masterpiece soaked in vodka and its era, the Brezhnev era. Do you count any books as guilty pleasures? 0 ratings. They use complicated fly rods. I use a stick and string. And yet I can usually find them. “He’d mention T.S. Shad in the late spring, smallmouth bass in the early fall. What book would you recommend for America’s current political moment?