Track 2 contains a sample of "I Feel a New Shadow" as performed by. Endtroducing wasn't the first record built out of samples. One of those cats from Baton Rouge, though, was a hip-hop and music head like I’d never met. We rolled pretty deep once you included our Spelman College contingent. Even when I attempted my career as a music producer, I leaned more heavily into the DJ Shadow alternative hip-hop sound when trying to create an album. Cynical, dark yet captive and calm at the same time this is one of the best albums ever to be made in the US - part of its musical charm is that it is not too famous as it allows only a few dedicated music hunters to share a common interest. This is a problem I have with all hip hop, but it is nice to hear something relaxing every now and then such as this. It’s been a while since I’ve done that but the impact it had on my musical life, and life in general, has been felt since then. I owe him a thanks for opening up my hip hop knowledge. What Does Your Soul Look Like (Part 1 - Blue Sky Revisit), Buy CD, Matrix / Runout (Variant 1): 07314 540 607-2 02 / 50995044 MADE IN GERMANY BY UNIVERSAL M & L U, Matrix / Runout (Variant 7, 10, 14): 07314 540 607-2 02 / 50995044 MADE IN GERMANY BY UNIVERSAL M & L R, Matrix / Runout (Variant 11): 07314 540 607-2 02 / 50995044 MADE IN GERMANY BY UNIVERSAL M & L O, Matrix / Runout (Variant 12, 13): 07314 540 607-2 02 / 50995044 MADE IN GERMANY BY UNIVERSAL M & L V, Matrix / Runout (Variant 15): 07314 540 607-2 02 / 50995044 MADE IN GERMANY BY UNIVERSAL M & L M, Mastering SID Code (Variants 1, 7, 9 to 15): IFPI L001, Mould SID Code (Variant 1, 14): IFPI 0122. The album has been included on several “best of” lists, including Muzik magazine naming it the top Dance album of all-time and Treble magazine naming the album as the best of 1996. This is a post 1999 reissue as indicated by the press plant being. I hated the Wu-Tang Clan (at the time) because of my boy Titus, who pretty much ONLY listened to Wu. I’ll make that call soon. DJ Shadow openly declares himself an apostle of sample culture, name-checking as many legendary hip-hop producers as you like. But if the music didn’t get me, the lyrics were useless; a hot 16 over a trash beat was still trash to me. I love chopping up samples, but layering drums and samples and creating art was my goal. I think Josh Davis has a problem with moving on though. Recognized by the Guinness Book of World Records as the first album created completely from samples, Endtroducing to this day remains one of my all-time favorite releases, one that I'll simply never get tired of hearing. It was through those means that I learned of N.W.A., heard Dr. Dre’s The Chronic, EPMD, Gang Starr, etc. It’s part of why Dilla’s Donuts is one of my favorite hip-hop records. I grew up in a musical house but his level of musical knowledge was about 100 levels above me. But Endtroducing….. brought me to instrumental hip-hop that had me visualizing samples in a different fashion. To me he's one of the best trip hop artists since Portishead. Matrix / Runout (Variants 1 to 4): 697 124 123-2 02! )” which would become (and still is) my favorite hip-hop record of all time. DJ Shadow's production is incredible, as is his ability to create a soundscape that reflects so many different styles of music. Such tracks as 'What Does Your Soul Look Like?, and 'Midnight In A Perfect World' are true examples of what instrumental hip hop is all about. was then and is still one of his favorite groups). From there I searched out every hip-hop instrumental release I could find, treating this new (to me) alternative hip hop as a treasure I couldn’t get enough of. The company Tracklib has a cool feature on IG and possibly elsewhere called Sample Breakdown. Gotta admire DJ Shadow's skills. A "Deluxe Edition" was released in 2005. Born Joshua Davis, DJ Shadow made great waves with his first proper album, 1996's Endtroducing, which has been lauded as the first album made up entirely by samples… While I vividly remember the circumstances, what I do know is that when I listened to this album, the way I saw music changed. Recognized by the Guinness Book of World Records as the first album created completely from samples, Endtroducing to this day remains one of my all-time favorite releases, one that I'll simply never get tired of hearing. It’s hard to believe but November 19th, 2016 will mark the 20th anniversary for DJ Shadow‘s classic “Endtroducing…..” released in 1996 on James Lavelle’s Mo Wax. K. They chop up the original records and show how the producer used various sections to create their beats. (2019 - Mass Appeal / Reconstruction Productions, Inc.)Il ritorno di Joshua Paul Davis è psicologicamente teso e impegnato, ma discontinuo .. (2016 - Mass Appeal)Nuovo tentativo per Josh Davis e la consueta lista di ospiti, (2011 - Island)Fra richiami agli esordi e singoli a effetto, il nuovo lavoro di un maestro assoluto del turntablism, L'arte del campionamento ha rivoltato la musica, Questo sito utilizza cookie tecnici (propri o di terze parti) per monitorare l'esperienza di navigazione degli utenti, Playlist e selezioni Shadow doesn't just use samples, he manipulates them, strips em down and builds them back up, creates beats and breaks out of the craziest shit. Panama Jackson is the Senior Editor of Very Smart Brothas. DJ Shadow made his name back in the 1990s as the mercurial producer of the vaunted Endtroducing, as well as aiding in the revival of numerous undeservedly forgotten auteurs like David Axelrod. Recognized by the Guinness Book of World Records as the first album created completely from samples, Endtroducing to this day remains one of my all-time favorite releases, one that I'll simply never get tired of hearing. I’ve always been a beat person; I understand that lyrics are a cornerstone of hip-hop. This snootiest of dance labels made stars out of train-spotting DJs, hooking up countless samples and special effects into a hypnotic pastiche of trippy beats, and Shadow was its biggest star of all. The dystopian New Age of Endtroducing….. sounds like an alien spacecraft touching down on the autobahn late at night, probably to check out Earth’s used-vinyl bins. There was probably a yearlong stretch where I listened to “Building Steam With a Grain of Salt” every day. The Blacker the Content the Sweeter the Truth. It’s just beautiful hip-hop storytelling told through sampling. Because of that new love and deeper understanding of sampling, one of the biggest contributions Adrian made to my life was in the form of an album that would literally change the way I listened to music—and hip-hop, in particular. A mad scientist who obviously doesn’t get out of the lab much, DJ Shadow spends much of his 1996 full-length debut Endtroducing….. rewiring the Mo' Wax sound that he helped invent. In high school, I remember having lots of convos with the homies about various rappers, groups and albums. One song in particular on Endtroducing….. really impacted me. Brilliant tracks. He makes no attempt to disguise what he's doing. What Does Your Soul Look Like (Part 1 - Blue Sky Revisit), Design [Sleeve], Photography By [Montage], (CDr, Album, Copy Prot. He's pretty fly for a light guy. A few 16s and a hook (or scratched hook most likely at that point). DJ Shadow's production is incredible, as is his ability to create a soundscape that reflects so many different styles of music. Dj Shadow Endtroducing..... 1996 (Mo Wax) | instrumental hip-hop, cut-up. Hip-hop, jazz, soul, rock, and ambient electronica seamlessly blended together into a musical masterpiece... a definite must-have, for anyone. This is where I was introduced to Pete Rock and CL Smooth’s “They Reminisce Over You (T.R.O.Y. The 9th Wonder one is dope because he actually saw the breakdown and commented how accurate it was. ... L'hip-hop è ovviamente il genere in cui il fatidico sample ha una sua ragion d'essere a prescindere da tutto e tutti. Adrian changed all that. Matrix / Runout (Variant 5): 697 124 1232 01! We were probably talking about music, our custom all throughout college—a tradition that lives through today—and he probably asked if I’d heard of DJ Shadow and my answer was definitely “no.”. Released in 1996 on the famed alternative hip-hop and turntablism-heavy label, Mo’Wax, Endtroducing….. is a clinic in sampling with DJ Shadow as the surgeon, chopping up samples, layering things and ultimately creating beautiful works of art with sometimes half-a-second chops of older records. Before that album and song, in particular, I viewed hip-hop from a typical song format lens. The homie is appreciated more than he knows. By the time I got to college in 1997, I was a hip-hop head. Endtroducing is an album that solidifies beyond all doubt the artistic power of sampling. As is, DJ Shadow “endtroduced” me to the version of my hip-hop self that I would become for the rest of my life. I was a pretty staunch southern hip-hop and West Coast rap head sprinkled in with some East Coast stuff. varie, What Does Your Soul Look Like (Part 1 - Blue Sky Revisit). See, I understood that a lot of the music I loved was built on other, often older songs, but I didn’t have an appreciation for truly searching out the songs I’d see in the liner notes. DJ Shadow openly declares himself an apostle of sample culture, name-checking as many legendary hip-hop producers as you like. What it really did, though, was make me realize what hip-hop could be. My crew at Morehouse College was made up of several folks from Washington, D.C., my boy from back home in Alabama, the homie from Dover, Delaware by way of Trenton, N.J., and a crew of cats from Baton Rouge, La. But what he really did for me was to put me up on samples and sampling. Label: Mo' Wax / A&M Records Released: 2006Shadow's classic first album has been consistently voted one of the best records of the '90s, in magazines such as Spin, Q, Urb (whose readers voted it the best album ever made), Melody Maker, etc. It is composed almost entirely of samples, mostly from vinyl records, and features moody, slow tracks and upbeat jams reminiscent of Shadow's early hip hop influences. It was a sound I didn’t even know I needed that suddenly I couldn’t live without. I can remember “borrowing” cassette tapes from my older sister—she had a new music plug in high school—dubbing them, and sneaking them back into her room before she noticed. My music collection grew exponentially in college and that’s mostly because of him. And because I love jazz, and in particular, the fusion era, I could and can listen to instrumental music forever. “This is really how my brain operates while I make the beats” or something to that effect. Possibly my favourite album on earth. New material must be hard to come up with after his concept here. He mixes and mashes up old records he has in his collection and may I add to the highest of perfection. Tracks like the organ grinder are quite funky, and tunes like Midnight in a perfect world soothe you after a hard day at work. I fell in love with the art of sampling, both finding and repurposing them. This is DJ culture at its boldest: steeped in the past, but zooming into the space-age future. Like a lot of black men who grew up in the ’90s, hip-hop is the soundtrack for my life and has been for as long as I can remember.