The fact that the re-make was relatively faithful to the original is in itself a bit of a homage and where the two films really differ is in the action sequences that overtake the story in the remake, if you want to watch a more intelligent and somewhat darker crime thriller then I recommend this before HEAT every time this should be given the credit it deserves as it was pieces like this that have allowed Mann to make a lot of the mainstream pulp films he is famous for.

Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led … There are no approved quotes yet for this movie. On March 19, 2008, a DVD of the movie was released in Germany, featuring several scene selections as bonus content. Cinemark Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led … Want to share IMDb's rating on your own site? Takedown was also made on TV film budget, while the budget of Heat is estimated at over $50 million. Raymond, you "Degenerate". I don't think you should do remakes of movies that are less than 20 or 30 years old. [4][5][6] According to Mann, "one day they simply bumped into one another. As part of a development, a sketch, a chance to see effectively a rough cut of a masterpiece then it's a 10. Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren. It was rubbish.

View production, box office, & company info, Bruce Campbell Will Reportedly Cameo As [Spoilers] In Doctor Strange In The Multiverse Of Madness, The Dark Knight: Visual Echoes. Some Stuff I Can Watch Often & Still Enjoy. Michael Mann's original script was written in the early 1980s, and spanned 180 pages.

From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. Using the original script, Mann decided to remake LA Takedown as it was originally intended; a complex, multi-layered crime drama.

In the chaos that follows another guard fights back and knocks the mask of one of the gang before he is shot and killed; not wanting to leave anybody who can identify them the thieves kill the final guard. Soon the remake of another excellent movie "manhunter" will come up in the theatres, and it will probably make people forget about how good the original is and if there are people that still haven't seen it, they will only see the remake. — Description "Takedown" is the fifth campaign mission of Call of Duty: Modern Warfare 2 and Call of Duty: Modern Warfare 2 Campaign Remastered (or the fourth if the mission"No Russian" is skipped). Don't have an account? I thank other posters for pointing out the many similarities but I saw no reference to the very different endings ... we have the drama of the airport shootout in Heat to Alex getting blasted by the psycho through a hotel door in LA Takedown and telling Hanna "they just don't make doors like they used to" as he dies in his arms ... perfect last words for an exceptionally practical, emotionless man.
Anyway I don't need any Pacino or De Niro to recognize a good movie. We want to hear what you have to say but need to verify your account. It's amazing to me how easily people will be polarised on a trivial issue. I did a fair amount of police reporting and cops always told me that many true professional criminals will fool you in the sense that they look and comport themselves as if they were the assistant manager of the local Burger King ... LA Takedown had some dialogue that still rings in my ears and reflects the intensely selfish and myopic perspective of the true habitual career criminal such as Alex explaining his accidental victims to his girlfriend that "it rains, people get wet" and the renegade member of the heist team exclaiming to himself as he spins to plunge a hunting knife into a prostitute that "I'm a stone cold, sky blue killer" .. A biography of sports legend Muhammad Ali, focusing on his triumphs and controversies between 1964 and 1974. With Scott Plank, Alex McArthur, Michael Rooker, Ely Pouget. L.A. Takedown was written and directed by Michael Mann and its ensemble cast includes Scott Plank, Alex McArthur, Michael Rooker, Daniel Baldwin, and Xander Berkeley.

Michael Mann was glad he made L.A. Takedown (1989) because it helped to serve as a prototype for Heat (1995) and gave him the chance to see what worked and what didn't work, to play around with it, and to get deeper into it. A gripping historical account of the Tet Offensive in 1968 that became the turning point for the American involvement in the Vietnam War. I'm hunting to find L.A. Takedown on Video, if I come across a copy of Heat, I'll use it for packaging. 19 April 2020 How Michael Mann's work influenced 'The Dark Knight', Some Stuff I Can Watch Often & Still Enjoy. [7] Heat was made on a US$60 million budget with a strong cast, and released in 1995.

LAT is sort of a scrappier kid brother version to the elegant, but soulless remake. Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren.
However, if you're a die-hard Michael Mann fan, as am I, you should still see this, because it because it shows how much development he puts into a story. ...although L.A. Takedown is about half the length of Heat, the movie feels so much longer and poorly-paced than its big-screen successor... A film much better written than executed... has the appearance at every moment of a hatchet job that got cranked out in record time because nobody involved had any real desire to make it. Patrick McLaren leads a crew of professional thieves whose latest job is an armoured car robbery in Los Angeles.

At least they're more naturalistic and less self conscious than the DeNiro/Pacino team. In 1963, he was investigating Neil McCauley, a professional robber. I do not understand why this movie didn't become a huge success and why lead actor Scott Plank didn't end up a star. Michaels character by the way was probably the stand out in this film.

How Michael Mann's work influenced 'The Dark Knight'. He decided to make it then with the limited budget he had. In this film McLaren, who has been rejected by Eady when she discovers who he really is, decides he has nothing to lose and goes after Waingro. He viewed the film as a dry run for the original story, which was a complex, multi-layered crime drama edited out of the script for the television film. In, The ending differs significantly.

The percentage of users who rated this 3.5 stars or higher. While Hanna advises Waingro of his options in jail, for a string of previous murders, Waingro resists arrest and tries to pull a gun. No mean feat! | Rating: 5/10

This has been one of my favorites since it was released in 1989. [7][9][10] In 1990, it was released on VHS in Finland, with several other European countries following in the early 1990s. |, August 14, 2003

Most people who see L.A. Takedown nowadays will see it for one reason: the fact that director Michael Mann remade this as Heat starring Robert DeNiro and Al Pacino in the Alex McArthur and Scott Plank roles. I enjoyed him much more than seeing De Niro doing it to be frank.



Just a hunch! "[13] A reviewer from Lexikon des Internationalen Films of Germany was less enthusiastic, citing routine action sequences and a confusing plot due to the overly large cast.

We Got This Covered I think I'm against almost any remake.

Afterwards the man responsible is kicked off the team and told to stay away from them. This film even shows a little more concern for the "collateral damage" (i.e cops and civilians) than '95 version. (Mann has got the carreer Freidkin deserves) And it oozes with late 80s styles and fashion.

and if it's bad well even less reason to do it...Anyway both movies are good and I like them both even if I don't like the remake phenomenon.

Nothing can calm it, since its goal is far beyond all it can attain. In a 1983 interview, he mentioned he was planning to make a film based on the draft, and was looking for someone to direct it. I don't care how good De Niro and Pacino are, I don't care how interesting (or not) are the lives of the supporting characters, I don't care how much better quality the later film may have been: there's just a zinging energy about "LA Takedown" – something really, really taut, pushing and exciting that seems absolutely of its time, absolutely right for the story – so much so that it's "Heat" that now seems out of time. Waingro shoots him through the hotel room's door and he dies in Hanna's arms.

The plot is the same but Heat with Al Pacino and Robert de Niro is largely a masterpiece in comparison LA Takedown After seing Heat you will be disappointed. However, after McLaren tracks down Waingro to a hotel room, he is ambushed by Hanna and his team.

L.A. Takedown, also called L.A. Crimewave and Made in L.A., is a 1989 crime thriller.Originally filmed as an unsuccessful pilot for an NBC television series, it was reworked and aired as a stand-alone TV film.The film was later released on VHS and, in Region 2, on DVD. Michael Mann directs with considerable skill, and most tellingly, knows how to use music to maximum effect. For L.A. Takedown, he cut the script down to 110 pages so it would fit in a TV-movie timeslot. Interestingly too, (although it perhaps happened by default since it was a film made for television), the actual violence that is a necessary part of the story is rendered perhaps even more powerfully by NOT being shown, or by happening off-camera.

Action wise, LAT holds out well to its bloated remake, including the bank shootout. And that is basically the only reason why you would want to see this, unless you're an avid fan of '80 cop shows (there's even an detective-on-the-prowl-style montage).