A movie lover’s dream, the Criterion Channel offers classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection. Experience documentary as you never have before with these viscerally immersive works from Harvard University’s Sensory Ethnography Lab. For those of you who utilize Letterboxd, I've decided to start creating a list with the monthly Criterion Channel lineup for tracking purposes: I've been making an effort to dive into important, classic cinema from around the world, so being able to track this on Letterboxd and remind myself what's available is a big help. We're completely independent with no corporate influence so you can be sure that the reviews you read are unbiased and come from real people who love pop culture as much as Garon does. The Criterion Channel is an independent streaming service that features an eclectic mix of classic and contemporary films from Hollywood and around the world, many not available anywhere else. The Atacama is also a place where the harsh heat of the sun keeps human remains intact, including those of political prisoners “disappeared” by the Chilean army after the 1973 military coup. How Has Streaming Services Changed Movie Watching, CD Box Set Review – White Lion: The Complete Albums Collection 85 – 91. SUPPLEMENTAL FEATURES: Two documentaries on Pasolini, interviews with art director Dante Ferretti and composer Ennio Morricone, a video essay by film scholar Tony Rayns, and more. With an ingenious script by the Nobel Prize–winning playwright Harold Pinter, British New Wave trailblazer Karel Reisz transforms Fowles’s tale of scandalous romance into an arresting, hugely entertaining movie about cinema. The list is roughly ordered, first by their announced leaving date, and then by my (fairly reasoned) prediction of when they will leave the Channel. Just as astronomers search for distant galaxies, surviving relatives of the disappeared search for the remains of their loved ones in a quest to reclaim their families’ histories. This revelatory drama was named the best film of the 1990s in a Village Voice poll of more than fifty critics. Featuring a new introduction by director Lizzie Borden. On the Waterfront: Criterion Collection Edition #647. Featuring an archival interview with the filmmaker. Justin Remer makes movies, directs music videos, and plays in the bands Duck the Piano Wire and Elastic No-No Band when he is not writing movie reviews. Pop Culture Beast was formed in 2007 as a place for founder Garon Cockrell to write about his love of entertainment. Master documentarian Patricio Guzmán travels ten thousand feet above sea level to the driest place on earth: Chile’s Atacama Desert, where astronomers from all over the world gather to observe the stars in a sky so translucent that it allows them to see to the boundaries of the universe. The spectacular sets, breathtaking costumes (which serve as the inspiration for this year’s Met Gala), and Swinton’s androgynous performance style give captivating expression to Woolf’s text, a playful, ahead-of-its-time exploration of gender roles and fluidity that remains as fresh and surprising today as it was in the 1920s. Featuring an audio commentary for Mona Lisa by director Neil Jordan and actor Bob Hoskins. 20. About this list: These are non-Janus films which are currently streaming on the Criterion Channel. These subtly radical tales of feminist awakening explore what it means to be an independent woman in Indian society. Please view our advertising policy page for more information. Here’s another batch of flicks to enjoy on the Criterion Channel site and app. Romantic myths of the frontier gave way to tougher tales of ruthless outlaws, corrupt cattle barons, gold-crazed prospectors, mercenary gunfighters, and lonely, damaged men obsessively pursuing vengeance for past wrongs. Produced by Roger Corman, his startling first feature, Targets, starring Boris Karloff in his last dramatic role, transcends its B-movie origins and now plays as an eerily prescient look at the rise of gun violence in America. © Letterboxd Limited. Sling Orange vs. Sling Blue: What's the Difference and Which Should You Choose? In a lonely place was amazing. This apparently simple mission turns into a nerve-racking cat-and-mouse game that tests each man’s particular brand of honor.

Burning BushFeaturing a new introduction by film scholar Annette InsdorfAgnieszka Holland’s gripping, three-part miniseries: A riveting, true-life saga of political conspiracy and resistance from behind the Iron Curtain, Fred and GingerWith a new introduction featuring critics and authors Gary Giddins, Brian Seibert, and Deborah Grace WinerArt-deco dreams and amazing grace from film history’s greatest dance team, featuring: The Gay Divorcee (Mark Sandrich, 1934), Top Hat (Mark Sandrich, 1935), Swing Time (George Stevens, 1936), Shall We Dance (Mark Sandrich, 1937), Swing Time (George Stevens, 1936)Criterion Collection Edition #979.

In Pickle, Amy Nicholson profiles a couple of extreme animal lovers, interviewing them about the menagerie they’ve cared for and buried over the years, including paraplegic possums, emaciated cats, and morbidly obese chickens. Jafar Panahi’s revelatory debut feature is a child’s-eye adventure in which a young girl’s quest to buy a goldfish leads her on a detour-filled journey through the streets of Tehran on the eve of the Iranian New Year celebration. for fans of quality theatrical and home video releases. Shot through with a surreal mysticism, Nietzchka Keene’s hypnotic short Aves deploys a flurry of experimental animation techniques to illuminate the spiritual state of a cloistered nun. One of this month’s curated collections on Criterion Channel is “Scores by Ryuichi Sakamoto.” Sakamoto came to fame as part of Yellow Magic Orchestra, a synthpop group so popular that they are sometimes dubbed the “Japanese Beatles.” Criterion’s selections emphasize the international flavor of Sakamoto’s film composing work, including films by Bernardo Bertolucci, Pedro Almodóvar, Volker Schlöndorff, as well as Nagisa Oshima’s Merry Christmas, Mr. Lawrence, starring David Bowie. Meet the 12 O’Clock Boys, an infamous urban dirt-bike pack who whiz through the streets of Baltimore. * The Future, Miranda July, 2011, Shorts Now, let our July programming take you away . Featuring a new introduction by critic Farran Smith Nehme. Resisting both easy answers and the urge to sensationalize, the Dardenne brothers offer a clear-eyed, grippingly naturalistic portrait of a young life in crisis graced with the expansive compassion that has made them among the most consistently lauded cinematic voices of our time.

This program presents her masterpiece Losing Ground, a perceptive portrait of a marriage at a crossroads, alongside the short feature The Cruz Brothers and Miss Malloy. Cord Cutters News makes money through affiliate partner links: If you click on a link, we may earn a commission. Then, an old friend — presumed to be dead — calls to let the banker know there’s a way out.

Former Talking Heads frontman David Byrne has always been as much a conceptual/visual/performance artist as he has been a rock star. Since then, the site has grown in readership and staff by providing an unbiased and independent view of popular culture from movies to music to games to books and everything in between.

* Me and You and Everyone We Know, Miranda July, 2005

Filmed guerrilla-style on the streets of pregentrification New York, Born in Flames is a Molotov cocktail of feminist futurism that’s both an essential document of its time and radically ahead of it. Based on a story by Elmore Leonard, 3:10 to Yuma is a thrilling, humane action movie, directed by the supremely talented studio filmmaker Delmer Daves with intense feeling and precision. Justin Remer 07.2020 Movies, Opinion, Reviews Leave a Comment. The Tin Drum (Volker Schlöndorff, 1979)Criterion Collection Edition #234, Cameraperson (Kirsten Johnson, 2016)Criterion Collection Edition #853, War and Peace (Sergei Bondarchuk, 1966–67)Criterion Collection Edition #983. The Criterion Channel is an independent streaming service that features an eclectic mix … Press J to jump to the feed. The roar of the engines, the smell of burning rubber on pavement, and the adrenaline-rush exhilaration of pedal-to-the-metal speed: the kinetic thrill of cool cars in motion is front and center in these two action classics guaranteed to get your motor running. Further developing the themes of queer identity, transience, and unrequited longing, Van Sant created an intoxicating anthem of outsiderhood that stands as one of the defining independent films of the 1990s. With his next film, The Last Picture Show, an elegiac homage to John Ford and Howard Hawks, Bogdanovich was hailed as a wunderkind, and he made good on that promise in the similarly bittersweet Depression-era comedy Paper Moon. Since then, Sakamoto has worked with auteurs ranging from Bernardo Bertolucci to Pedro Almodóvar to Shirin Neshat, bringing a distinctive experimental edge and stirring sense of atmosphere to some of the most haunting and indelible film music of the last half century. Press J to jump to the feed. This selection of some of Hayworth’s most unforgettable films showcases the vitality, exuberance, and captivating allure that made her the very definition of a movie star. Filled with scatological humor and a rough-hewn sensuality that leave all modern standards of decency behind, these are carnal, provocative, and wildly entertaining films, all extraordinarily designed by Dante Ferretti and featuring evocative music by Ennio Morricone. Newly added: Ryuichi Sakamoto: Coda (2017) Ryuichi Sakamoto: Coda. * Transeltown, Myra Paci, 1992 and How to Get It (1965), A Funny Thing Happened on the Way to the Forum (1966), Petulia (1968), The Bed Sitting Room (1969), The Three Musketeers (1973), The Four Musketeers (1974), Robin and Marian (1976), Adventures in Moviegoing with Alan CummingThe stage and screen star selects offbeat favorites by Welles, Chaplin, Hal Ashby, and more, including: F for Fake (Orson Welles, 1973), Brief Encounter (David Lean, 1945), The Lonely Passion of Judith Hearne (Jack Clayton, 1987), The Great Dictator (Charles Chaplin, 1940), I Know Where I’m Going! The Human Factor. Propelled by breathtakingly kinetic footage that takes viewers along for the ride, 12 O’Clock Boys spins a compelling, intimate story of a young boy and his dangerous, thrilling dream. Here’s everything coming to the Criterion Channel this month: Monday, March 9 Safe: Criterion Collection Edition #739 Julianne Moore gives a breakthrough performance as Carol White, a Los Angeles housewife in the late 1980s who comes down with a debilitating illness. . Blog: `https://www.criterion.com/current/posts/7000-the-criterion-channel-s-july-2020-lineup` Tags: `#service` `#criterion_channel` `#collection-order` `#complete` Observations on Film Art No. Below you’ll find the programming schedule for the month, along with a complete list of titles that Criterion has in store for us. With her acclaimed features Me and You and Everyone We Know and The Future, July established herself as one of American independent cinema’s most distinctive voices, a bold, relentlessly imaginative artist who finds cosmic insight in the everyday. Then, Federico Fellini runs away with the circus in his poetic masterpiece La strada, featuring a heartbreaking performance from the great Giulietta Masina as a naive young woman whose simple goodness is exploited by Anthony Quinn’s brutish traveling strongman. Two gritty 1980s crime classics distinguish themselves with ingredients all too rare for the genre: heart, humor, and strong female protagonists. Channel Calendars. (1990), The Flower of My Secret (1995)*, All About My Mother (1999), Talk to Her (2002), Bad Education (2004)*, Volver (2006)*, The Skin I Live In (2011), Harold and Maude (Hal Ashby, 1971)Criterion Collection Edition #608, Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, 1988)Criterion Collection Edition #855. Share. It's spotlighted series on directors, stars, genres, and themes. Don’t forget to check the Criterion Channel’s main page regularly though, as they occasionally will drop surprises that aren’t included in the official press release. 1-45 have been announced to leave at the end of October 2020.