[14] The film was successful in Japan,[4] although not so much so that Tamio Kawachi was ever elevated to major star status and after his "Bad Boy" period he was mainly relegated to second lead and supporting parts. Criminal and jazz aficionado Akira (Tamio Kawachi) and his prostitute girlfriend Yuki (Yuko Chishiro) are arrested when they are spotted fleecing foreigners in a jazz club by a reporter named Kashiwagi (Hiroyuki Nagato). The Warped Ones (狂熱の季節, Kyōnetsu no kisetsu) is a 1960 Japanese Sun Tribe film directed by Koreyoshi Kurahara and starring Tamio Kawachi, Eiji Go, Yuko Chishiro and Noriko Matsumoto.It was produced and distributed by the Nikkatsu Company.

Great looking, but ultimately rambling story of two thugs and a prostitute who get out of prison an continue their wanton ways, while taking revenge on, and repeatedly crossing paths with, the people who put them there. It's the manic energy of bored and violent teens. But Fumiko finds that once in her life, Akira is hard to get out, unless some drastic measures are taken. The plot, in other words, is sensationalist stuff, but is largely filtered through the lens of its disjointed protagonist.

The movie that gave theCriterion Kurahara 1960s set its name, “The Warped Ones” (Kyonetsu no kisetsu , 1960) only has a running time ten minutes more than “Intimidation” but feels much longer with action that seems random rather than the tightly wound plot of “Intimidation.”

As a continuation of the Sun Tribe films genre, it results in a more harrowing depiction of the dislocated generation. Report this film. The Warped Ones is both really stupid and sadistically cruel. The camera work and the running jazz soundtrack add to the overall disassociated sense that makes this similar to 60's New Wave films. The Warped Ones sounded a lost generation's cry for help and was one of the films that kicked off Japan's cinematic sixties with a bang.

Now just released by Criterion in a beautiful print in Japanese with English sub-titles; Something Weird Video originally released it.

Overall, Hunted is a great debut novel for her Warped Ones series that will keep the average person glued to … While in prison, Akira befriends another hoodlum named Masaru (Go), and the three rendezvous upon their release through hotwiring cars and conning more foreigners for money.

Kurahara translates budding sociopath Akira's unrelenting debauchery so effectively the film resembles a 75-minute ode to unrepressed id; Akira comes across less like a person than a…, Within the history of cinema one doesn’t have to search too hard in order to find an example of a well executed character study showcasing the defiant and reckless attitudes of youth. BONUS POINTS to the star, Tamio Kawachi, who makes for a mesmerizing watch as he slithers from scene to scene like a hopped-up and violent Jim Morrison in a jazz delirium. They spot Kashiwagi and his artist fiancée, Fumiko (Noriko Matsumoto), hit him with a stolen car and kidnap her.

[5][15] In July 1961, Arthur Davis' newly formed, American, foreign film distribution company Kanji Pictures announced it had acquired ten Nikkatsu films for North and South American markets and parts of Europe. [34], On February 23, 2007, the Japanese label Think! The first disc features American jazz musicians Max Roach on drums, Clifford Jordan on tenor saxophone, Ronnie Mathews on piano, Eddie Kahn on bass and vocals by Abbey Lincoln. Was this review helpful to you?

Director Koreyoshi Kurahara's departure from traditional Japanese cinema up to that point in 1960 is reminiscent of the work done simultaneously by Jean-Luc Godard and Michelangelo Antonioni.

The main line - girl falls in love with the small time criminal who raped her - isn't to the taste of the western public, but is actually handled in a subtle matter. Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October.

A description of the story of The Warped Ones would make it seem more distracted and unoriginal than it really is.

The kids can't sleep because their parents, having shucked the responsibility of raising their children, would rather fornicate at any and all times of the day, undeterred when someone happens to inconveniently walk in on them. A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up. A look at the spirit of New Orleans.

Reviews: The Warped Ones. A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up. A juvenile delinquent gets out of the pen and causes reckless mayhem, mostly directed at the girlfriend of the journalist who helped send him up.

That this is from 1960 makes it that much more amazing and it must have created a sh*tstorm in "normal" Japanese society. I made this for myself but I thought others might find it useful. Even here there are distinctions - Akira doesn't dig your muzak or lounge jazz. After being fired for insubordination, homicide detective Mike Carter is hired as bodyguard by the owner of a local meat-packing plant where a meat inspector has been murdered.

Not that I have any complaints about Kurahara's style—you've got yourself one fine-looking moving picture here, a gorgeous pastiche of speeding cars and shaking tenements and swirling cameras, all hopped up on libidinous amorality and wrath and a love of "black music". Fandango Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites.

The films included The Warped Ones, Shohei Imamura's Pigs and Battleships (1961) and Kon Ichikawa's The Burmese Harp (1956) and were to be distributed by Kanji or sold to other distribution companies.

Often compared by critics to Breathless (1960) and Rebel Without a Cause (1955), it is a stylistic departure from studio norms, driven by its jazz score and employing filmic techniques described as being as energetic and frantic as its characters. 1,502 films 6,847 123 Edit, Constantly updating.

It’s actually impossible to watch this movie and not deeply recognize the objective truth that jazz music is extremely badass.

[12] Schilling discerned the film, "Among [Kurahara's] boldest departures from studio convention. Fast and free shipping free returns cash on delivery available on eligible purchase. Plot Keywords Kashiwagi has become distant and haughty and she pleads with Akira for help. This tagline is even lazier than the iconic one for Bebe's Kids; "It's animation.". Fascinating, innovative, and unsentimental vision of Japanese youth following the period of recovery from WWII. Stealing, kidnapping and rape are all fair game.

Beyond the other crimes he commits, Akira also steals cars to sell to chop shops. "[6] He turned in what writer Mark Schilling described as his most unusual, and one of his best, performances of the period. First a funeral: Allen Toussaint explains that you arrive slow and cut up afterwards. Off the top of my head films like Francois Truffaut‘s The 400 Blows (1959), Jean-Luc Godard‘s Band of Outsiders (1964), and Larry Clark‘s Kids (1995) spring to mind, as does Alan Clarke‘s Made in Britain (1982), which, of the ones I just named, is probably the most similair to The Warped Ones, at least in terms of being stuck with a main character(s) whose recklessness is fueled by numerous acts of visciousness. Neither is it an accident that his best friend is a black foreigner by the name of Gill, a person it is implied he identifies with as being just as big a social outcast as himself.

Overall, Hunted is a great debut novel for her Warped Ones series that will keep the average person glued to the page until it's done.

It was a goddamn trip, though. At an all-girls boarding school, Manuela falls in love with a teacher, to terrific consequences.

The Warped Ones 0.

The Warped Ones sounded a lost generation's cry for help and was one of the films that kicked off Japan's cinematic sixties with a bang. Akira and Yuki meet Kashiwagi and Fumiko by chance at an abortion clinic where Akira reveals that each woman was impregnated by the other man, to the amusement of the former couple and befuddlement of the latter. The Warped Ones takes the spirit of Nikkatsu's crime pictures and with it turns the seishun eiga on its head.

A juvenile delinquent gets out of the pen and causes reckless mayhem, mostly directed at the girlfriend of the journalist who helped send him up. Tamio Kawachi Eiji Gō Hiroyuki Nagato Kôjirô Kusanagi Noriko Matsumoto Yuko Chishiro Reiko Arai Yōko Kozono Shôki Fukae Gô Kuroda Masaru Kamiyama Masayuki Kawamura Reiko Tanigawa Terue Shigemori Chigusa Takayama Chiyoko Shimizu Chico Lourant Kazuko Sugiyama, Kyonetsu no kisetsu, Kyônetsu no Kisetsu, The Weird Love Makers, Wild Love-Makers, 76 mins   With ambivalence, she finds herself sexually involved with her father-in-law. Also, scenes of the former's verbal deconstructions by a group of art students versus the latter's by the government. The Warped Ones stands as one of the pioneers of the new wave movement in Japanese film. TV Shows . Keep track of everything you watch; tell your friends. You must be a registered user to use the IMDb rating plugin. The Warped Ones estreava há 60 anos no Japão.

[2] However, the genre later experienced a resurgence which included The Warped Ones.

Somehow it felt nostalgic? [33] A DVD for The Warped Ones was released by the Criterion Collection, under their Eclipse brand, on August 23, 2011 as part of their "The Warped World of Koreyoshi Kurahara" compilation. [18] Schilling originally titled the film Season of Heat—a literal translation of the Japanese title—but it was retitled The Warped Ones for subsequent incarnations of the retrospective, which included runs in Austin and New York. [23] The film explores the two men's friendship and race relations. Rashamen films were intended as to promote goodwill between the two nations but were generally less well received in Japan, seen as unrealistic or patronizing.

It's unchecked animal instincts and desires.

It's a shame because the film has such energy in the way Kurahara directed it. He rapes and robs to the tune of a swinging record in his head, but if you stop it, he goes berserk. The film starts to deflate a bit in the second half, but it gets out before it can wear out its welcome with a particularly nasty little bit of irony. But such cases are easily dealt with: Just posit a higher-order conspiracy, in which the conspiracy of the official version is just a false-flag operation. Akira, described as possessing the "face-rubbing mannerisms of [Marlon] Brando and the tortured swagger of James Dean," varies between the sadistic and the indifferent—save when in a jazz-induced fervor—and reaches extremes largely unseen in the contemporaneous cinema of the West.

That's a first for me.